{"title":"Camelia Ramos","description":"","products":[{"product_id":"rebozo","title":"Huipil de Playa","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: 31\" width x 51\" length\u003cspan data-mce-fragment=\"1\"\u003e (laying flat)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Brown\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eSize: Will fit sizes S-2XL \u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eNury is 5'1\" and is a size S\/M\u003c\/li\u003e\n\u003cli\u003eLucina is 5'5\" \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eand is a size\u003c\/span\u003e XL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Innovation design by Camelia Ramos. Cover-up with 100% cotton thread, on a backstrap loom with a hand-knotted finish. Huipil is of great comfort to use in many ways, with straps to adjust to your figure on the sides or worn loose.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":41167454273588,"sku":"CAM-HUI-DRE","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/huipil-de-playadress-3303974.jpg?v=1773967950"},{"product_id":"short-ball-necklace","title":"Short Ball Necklace","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 ft. long\u003c\/li\u003e\n\u003cli\u003eElaboration time: 2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: short ball necklace. Accessory with versatility to wear around the neck or as an ornament in the hair, made with 100% cotton thread, on a backstrap loom.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"White","offer_id":41235743834164,"sku":"CAM-SHO-WHI-NEC","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Yellow","offer_id":41235743768628,"sku":"CAM-SHO-YEL-NEC","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Blue","offer_id":41235743801396,"sku":"CAM-SHO-BLU-NEC","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Pink","offer_id":41235744063540,"sku":"CAM-SHO-PIN-NEC","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Red","offer_id":41236255080500,"sku":"CAM-SHO-RED-NEC","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Green","offer_id":41236255113268,"sku":"CAM-SHO-GRE-NEC","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/short-ball-necklacenecklaces-9822778.jpg?v=1773967937"},{"product_id":"large-beaded-rebozo-arcoiris","title":"Large Beaded Rebozo - Arcoíris","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e8' ft long x 2.5' ft wide\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Grey\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. It has a unique \u003cem\u003erapacejo\u003c\/em\u003e inlaid with glass beads forming “flowers”. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAbout Camelia Ramos\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":41236200620084,"sku":"CAM-LAR-ARC-SHA","price":512.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-beaded-rebozo-arcoirisshawl-6054068.jpg?v=1773967938"},{"product_id":"large-rebozo-chartreuse","title":"Large Rebozo - Chartreuse","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e8.5' ft long x 2.6' ft wide\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Chartreuse\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":41315738910772,"sku":"CAM-LAR-CHA-SHA","price":358.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-chartreuseshawl-8189706.jpg?v=1773967884"},{"product_id":"terrenos-top","title":"Terrenos Top","description":"\u003cp\u003e\u003cem\u003eBased in: México\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco, \u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Brown\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: 25\" in. Width x 29\" in. Length (Laying flat)\u003c\/li\u003e\n\u003cli\u003eSize: Will fit sizes S-L (Model is 5'5\", 160 lbs. and \u003cspan data-mce-fragment=\"1\"\u003etypically wears size L\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Innovation design by Camelia Ramos. Top made with 100% cotton thread, on a backstrap loom. \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIkat technique for dyeing and with this to achieve the variegatedness of the fabric. \u003c\/span\u003eThe knotted top detail and finish at the end of the blouse remind us that the origin of this piece is the shawl.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43233400356916,"sku":"CAM-TER-TOP","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/terrenos-toptop-1790494.jpg?v=1773967812"},{"product_id":"cielo-top-1","title":"Cielo Top","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eColor: Teal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDimensions: 25.75\" in. Width x 31.5\" in. Length \u003cspan data-mce-fragment=\"1\"\u003e(laying flat)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSize: Will fit sizes S-L (Model\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eis 5'5\", 160 lbs. typically wears L)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eElaboration time: 3 months\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Innovation design by Camelia Ramos. Top made with 100% cotton thread, on a backstrap loom. Ikat technique for dyeing and with this to achieve the variegatedness of the fabric. The knotted top detail and finish at the end of the blouse remind us that the origin of this piece is the shawl.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43278731870260,"sku":"CAM-CIE-TOP","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/cielo-toptop-5422125.jpg?v=1773967811"},{"product_id":"rosa-pastel-top","title":"Rosa Pastel Top","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eColor: Pink\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDimensions: 26.75\" in. Width x 22\" in. Length \u003cspan data-mce-fragment=\"1\"\u003e(laying flat)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSize: Will fit sizes S-L (Model\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eis 5'5\", 160 lbs. typically wears L)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eElaboration time: 2-3 months\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Innovation design by Camelia Ramos. Top made with 100% cotton thread, on a backstrap loom. Ikat technique for dyeing and with this to achieve the variegatedness of the fabric. The knotted top detail and finish at the end of the blouse remind us that the origin of this piece is the shawl.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43279545794612,"sku":"CAM-ROS-PIN-TOP","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/rosa-pastel-toptop-9987908.jpg?v=1773967809"},{"product_id":"camila-top","title":"Camila Tunic","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eColor: Pink\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDimensions: 25\" in. Width x 35\" in. Length \u003cspan data-mce-fragment=\"1\"\u003e(laying flat)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSize: Will fit sizes S-L (Model\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eis 5'5\", 160 lbs. typically wears L)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eElaboration time: 3 months\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Innovation design by Camelia Ramos. Top made with 100% cotton thread, on a backstrap loom. Ikat technique for dyeing and with this to achieve the variegatedness of the fabric. The knotted top detail and finish at the end of the blouse remind us that the origin of this piece is the shawl.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43279551561780,"sku":"CAM-CAM-TOP","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/camila-tunictop-6711966.jpg?v=1773967810"},{"product_id":"lima-top","title":"Lima Top","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eColor: Chartreuse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDimensions: 42\" in. Width x 26\" in. Length \u003cspan data-mce-fragment=\"1\"\u003e(laying flat)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSize: Will fit sizes S-3XL (Model\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eis 5'5\", 160 lbs. typically wears L)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eElaboration time: 3 months\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Innovation design by Camelia Ramos. Top made with 100% cotton thread, on a backstrap loom. Ikat technique for dyeing and with this to achieve the variegatedness of the fabric. The knotted top detail and finish at the end of the blouse remind us that the origin of this piece is the shawl.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43279847587892,"sku":"CAM-LIM-TOP","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/lima-toptop-6390864.jpg?v=1773967809"},{"product_id":"large-rebozo-red","title":"Large Rebozo - Red","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process to make a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each designs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e8.5' ft long x 2.6' ft wide\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Red\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43296136233012,"sku":"CAM-LAR-ROJ1-SHA","price":358.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-redshawl-2470411.jpg?v=1773967810"},{"product_id":"lluvia-cape","title":"Lluvia Cape","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDetails\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e 7.5\u003cspan data-mce-fragment=\"1\"\u003e' ft long x 5.8' ft wide\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Blue\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":43304235958324,"sku":"CAM-LLU-SHA","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/lluvia-capeshawl-5633650.jpg?v=1773967814"},{"product_id":"large-beaded-rebozo-brown","title":"Beaded Rebozo - Brown","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Brown\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":46547842170932,"sku":"CAM-LAR-BRO-SHA","price":320.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/beaded-rebozo-brownshawl-4919609.jpg?v=1773967512"},{"product_id":"medium-rebozo-blue","title":"Beaded Rebozo - Blue","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Blue\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":46549966684212,"sku":"CAM-MED-BLU-SHA","price":320.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/beaded-rebozo-blueshawl-4273532.jpg?v=1773967508"},{"product_id":"large-rebozo-purple-1","title":"Large Rebozo - Purple","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process to make a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each designs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Purple\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":46550570598452,"sku":"CAM-LAR-PUR1-SHA","price":358.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-purpleshawl-5612084.jpg?v=1773967509"},{"product_id":"medium-rebozo-blue-1","title":"Large Rebozo - Blue","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Blue\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":46551064051764,"sku":"CAM-MED-BLU1-SHA","price":358.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-blueshawl-1645653.jpg?v=1773967509"},{"product_id":"medium-rebozo-black","title":"Medium Rebozo - Black","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Black\u003c\/li\u003e\n\u003cli\u003eElaboration time: 2-3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":46551640997940,"sku":"CAM-MED-BLA-SHA","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/medium-rebozo-blackshawl-8154798.jpg?v=1773967510"},{"product_id":"medium-rebozo-rust","title":"Medium Rebozo - Rust","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Rust\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":46563506946100,"sku":"CAM-MED-RUS-SHA","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/medium-rebozo-rustshawl-1170694.jpg?v=1773967509"},{"product_id":"large-rebozo-blue","title":"Medium Rebozo - Blue","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process to make a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each designs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Blue\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47051426955316,"sku":"CAM-LAR-BLU-SHA","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/medium-rebozo-blueshawl-9959950.jpg?v=1773967455"},{"product_id":"large-rebozo-yellow","title":"Atardecer Rebozo - Yellow","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBased in: México\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process to make a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each designs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade in: Malinalco,\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMéxico\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor: Yellow\u003c\/li\u003e\n\u003cli\u003eTechnique: Ikat\u003c\/li\u003e\n\u003cli\u003eElaboration time: 3 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Cotton shawl, with ikat technique, reserve dye to achieve the marbled shawl. The length of this shawl allows you to play with different ways of wearing it.\u003c\/li\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp class=\"p1\"\u003eIkat, a time-honored artisanal technique exemplified by the masterful craftsmanship of Camelia Ramos, represents a marriage of artistry and tradition. Rooted in the ancient practice of resist dyeing, Ikat stands as a testament to the meticulous skill and creative ingenuity of its practitioners. Unlike typical methods where patterns are either applied superficially or woven directly into the fabric's structure, Ikat weaves its magic through a series of deliberate and intricate steps. Central to the technique is the deliberate manipulation of yarns, both for the warp (longitudinal threads) and the weft (transverse threads). Before dyeing, sections of these yarns are meticulously protected with a resist material, oftentimes wax or tying, to preserve their original color. This painstaking preparatory phase lays the foundation for the distinctive allure of Ikat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dyeing process itself is a delicate dance of hues and gradients. Immersed in vats of natural or synthetic dyes, the unprotected portions of the yarn eagerly absorb the vibrant pigments, while the shielded segments retain their pristine hue. Through successive dye baths and meticulous adjustments, the desired pattern emerges, a testament to the artisan's vision and expertise. Once dyed, the yarns are carefully arranged on a loom, ready to be transformed into a textile masterpiece. With each pass of the shuttle, the pattern gradually takes shape, as the dyed yarns interlace with the uncolored threads. The resulting fabric is a symphony of color and design, where every thread tells a story of craftsmanship and tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhat sets Ikat apart is not just its visually stunning aesthetics but also its inherent sense of unpredictability and individuality. The slight imperfections and irregularities that characterize Ikat textiles serve as a reminder of its handmade origins, infusing each piece with a sense of warmth and authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the hands of Camelia Ramos, Ikat transcends mere fabric; it becomes a canvas for artistic expression and cultural heritage. Through her skilled hands, timeless patterns come to life, weaving together generations of tradition with contemporary flair. Each piece bearing her signature reflects not just the mastery of a technique but the soulful dedication of an artisan committed to preserving the legacy of Ikat for generations to come.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo, but as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth generation of backstrap loom weavers. From a young age, she was attracted to shawls, not knowing that her father had been a shawl craftsman since he was 13 years old but had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo making was a man’s job and the woman would focus on refining the rebozo ends by twisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio, had a conversation with her father about also learning the art of rebozo making that her father showed up the next day to pass on his knowledge of rebozo backstrap loom weaving under the training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge and work that was considered typical of men in her state. Her work meant the rescue of the making of the shawl on a backstrap loom, the use of the ikat technique with natural dyes, as well as the ancient \u003ci\u003erapacejo\u003c\/i\u003e, following what she learned from her father. Then he decided to go one step forward: she innovated in the design of garments and accessories made with rebozos to transform into blouses or the traditional \u003ci\u003equexquemitl\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that makes textile canvas on pedal and backstrap looms to keep the traditional rebozo techniques alive.\u003c\/p\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47051426103348,"sku":"CAM-LAR-ATA-SHA","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/atardecer-rebozo-yellowshawl-6710070.jpg?v=1773967455"},{"product_id":"large-rebozo-mauve","title":"Large Rebozo - Deep Mauve","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Mauve\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267976904756,"sku":"CAM-MED-MAUV-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-deep-mauveshawl-5183881.jpg?v=1773967271"},{"product_id":"large-rebozo-bugambilia","title":"Large Rebozo - Bugambilia","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Bugambilia\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267977756724,"sku":"CAM-MED-BUG-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-bugambiliashawl-4666514.jpg?v=1773967270"},{"product_id":"large-rebozo-tabaco","title":"Large Rebozo - Tabaco","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Brown\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267977920564,"sku":"CAM-MED-TAB-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-tabacoshawl-7013891.jpg?v=1773967271"},{"product_id":"large-rebozo-burgundy","title":"Large Rebozo - Burgundy","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Burgundy\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267978903604,"sku":"CAM-MED-BURG-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-burgundyshawl-6047963.jpg?v=1773967271"},{"product_id":"large-rebozo-verde","title":"Large Rebozo - Verde","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Green\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267987718196,"sku":"CAM-MED-VER-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-verdeshawl-3649552.jpg?v=1773967269"},{"product_id":"large-rebozo-rojo-1","title":"Large Rebozo - Rojo","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Red\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267988766772,"sku":"CAM-MED-ROJO-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-rojoshawl-8144678.jpg?v=1773967270"},{"product_id":"large-rebozo-clay","title":"Large Rebozo - Clay","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Orange\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267989454900,"sku":"CAM-MED-CLAY-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-clayshawl-4976656.jpg?v=1773967271"},{"product_id":"large-rebozo-grey","title":"Large Rebozo - Grey","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Grey\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267991126068,"sku":"CAM-MED-GRAY-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-greyshawl-7795181.jpg?v=1773967223"},{"product_id":"large-rebozo-black-blue","title":"Large Rebozo - Black \u0026 Blue","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Black \u0026amp; Blue\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267991322676,"sku":"CAM-MED-B\u0026B-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-black-blueshawl-6706245.jpg?v=1773967220"},{"product_id":"large-rebozo-fuchsia-1","title":"Large Rebozo - Fuchsia","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Pink\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267991879732,"sku":"CAM-MED-PINK-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-fuchsiashawl-2252831.jpg?v=1773967222"},{"product_id":"large-rebozo-ladrillo","title":"Large Rebozo - Ladrillo","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Red\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267992272948,"sku":"CAM-MED-LAD-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-ladrilloshawl-8048564.jpg?v=1773967222"},{"product_id":"large-rebozo-cereza","title":"Large Rebozo - Cereza","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Ruby Red\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267992764468,"sku":"CAM-MED-CER-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-cerezashawl-3134948.jpg?v=1773967220"},{"product_id":"large-rebozo-light-mauve","title":"Large Rebozo - Light Mauve","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Ruby Red\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47267999252532,"sku":"CAM-MED-LM-SHA","price":370.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/large-rebozo-light-mauveshawl-2887771.jpg?v=1773967220"},{"product_id":"beaded-large-rebozo-green","title":"Beaded Large Rebozo - Green","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Green\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47268001349684,"sku":"CAM-MED-MAUV-SHA","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/beaded-large-rebozo-greenshawl-4049861.jpg?v=1773967223"},{"product_id":"black-rebozo-shawl","title":"Black Rebozo Shawl","description":"\u003cp\u003eWhen Camelia Ramos’ father passed away, he imparted to her a legacy: \"I’m proud to leave you knowing I’ve taught you my craft, but now you have a commitment to not let this artistry die.\" Camelia embraced this solemn pledge with unwavering determination. Together with her husband, she tends to the flame of tradition in their artisanal workshop, El Xoxopastli, where the soulful art of rebozo making finds its sanctuary. Here, amidst the hum of meticulous craftsmanship, rebozos are not mere products of assembly lines or cold machinery. Instead, they are borne from a labor of love, each thread a testament to the enduring spirit of cultural preservation. \u003c\/p\u003e\n\u003cp\u003eIn addition to mastering the traditional rebozo, she has innovated designs that encapsulate its essence. Each creation stands as a testament to her deep devotion to the craft. These pieces invite personal interpretation and style! Yet, amidst this freedom, lies a crucial understanding: the profound significance of the narrative and heritage woven into every thread.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI’m giving you my life made in a rebozo,\u003c\/em\u003e” she proudly says. \"\u003cem\u003eMy life hangs by a thread, and each thread carries my essence. Just like blood runs through my veins, so does thread. Because this is the wonder of being able to give you part of my being and my soul, captured in a rebozo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003eDetails\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003eEach rebozo is carefully made by hand and is one-of-a-kind! This garment is made with\u003cbr\u003etop quality, 100% cotton and silk yarn. The process of making a loom shawl is long and\u003cbr\u003elaborious. It takes an average of 3 months to craft each design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor: Ruby Black\u003c\/li\u003e\n\u003cli\u003eElaboration time: 1-2 months\u003c\/li\u003e\n\u003cli\u003eMaterials: 100% Cotton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpecification: Handcrafted plain rebozo with hand-made detailed ends.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eUse \u0026amp; Care\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCare Instructions: While not in use, your design should be carefully hung on a non-slip velvet hanger. We recommend steaming to remove any wrinkles and brushing out the ends. Because of the delicate nature of the rebozos, we recommend that you dry clean. Do not bleach. Brush the ends before each use and avoid intense sun exposure.\u003c\/li\u003e\n\u003cli\u003ePlease note that sometimes you may find small imperfections due to its handmade process. This is a unique and true piece of art.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout the Technique\u003c\/h5\u003e\n\u003cp\u003eThe rebozo is the coming together of various cultures in México. Originating\u003cbr\u003ecommunities in México had pre-Hispanic loom pedals which were used to create\u003cbr\u003etraditional clothing pieces like the\u003cem\u003e quexquemitl\u003c\/em\u003e, huipiles, and other similar styles. The\u003cbr\u003eSpanish influence added fringes and the use of new textile patterns.\u003cbr\u003e\u003cbr\u003eCamelia Ramos and her husband José Mancio currently live and work in Malinalco to\u003cbr\u003epreserve traditional rebozo techniques. Malinalco is one of México’s most important\u003cbr\u003eweaving centers for elaborate and elegant rebozos. The rebozos that are born in El\u003cbr\u003eXoxopastli are unique in their fine work for their intricate endings called \u003cem\u003eflecos\u003c\/em\u003e, \u003cem\u003epuntas,\u003c\/em\u003e or \u003cem\u003erapacejos\u003c\/em\u003e. Camelia and José use ancient designs and only weave on pre-Hispanic back strap looms. The process of weaving begins with the use of raw cotton that is naturally dyed with materials like the grana \u003cem\u003ecochinilla\u003c\/em\u003e, añil, oxidized metals, pecan shells, \u003cem\u003ecempasúchil\u003c\/em\u003e flowers, and powders like turmeric. Their art has been carried for five generations and many of their rebozos are done with a dying technique called ikat\u003cbr\u003ewhere the patterns of the rebozo are colored before they are woven.\u003c\/p\u003e\n\u003cp\u003eCamelia believes that nature gives you everything to take care of yourself and your\u003cbr\u003eartistry.\u003c\/p\u003e\n\u003ch5\u003eAbout Camelia Ramos\u003c\/h5\u003e\n\u003cp\u003eCamelia Ramos Zamora was born on September 17, 1969, originally from Tenancingo,\u003cbr\u003ebut as she claims, she was reborn in Malinalco, State of Mexico. She is now the fifth\u003cbr\u003egeneration of backstrap loom weavers. From a young age, she was attracted to shawls,\u003cbr\u003enot knowing that her own father had been a shawl craftsman since he was 13 years old\u003cbr\u003ebut had abandoned it due to his economic situation to become a bricklayer. Enthusiastic about this art, she asked her father, the master craftsman Isaac Ramos, to teach her the artistry of rebozo making.\u003cbr\u003e\u003cbr\u003eAt first, Don Isaac was hesitant to teach her because traditionally the art of rebozo\u003cbr\u003emaking was a man’s job and the woman would focus on refining the rebozo ends by\u003cbr\u003etwisting, braiding, and tying the ends. It wasn’t until Camelia’s husband, José Mancio,\u003cbr\u003ehad a conversation with her father about also learning the art of rebozo making that her\u003cbr\u003efather showed up the next day to pass on his knowledge of rebozo backstrap loom\u003cbr\u003eweaving under a training of more than two years.\u003cbr\u003e\u003cbr\u003eSince 1992, Camelia Ramos has overcome gender stigmas by inheriting the knowledge\u003cbr\u003eand work that was considered typical of men in her state. Her work meant the rescue of\u003cbr\u003ethe making of the shawl on a backstrap loom, the use of the ikat technique with natural\u003cbr\u003edyes, as well as the ancient \u003cem\u003erapacejo\u003c\/em\u003e, following what she learned from her father. Then\u003cbr\u003ehe decided to go one step forward: she innovated in the design of garments and\u003cbr\u003eaccessories made with rebozos to transform into blouses or the traditional \u003cem\u003equexquemitl\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eToday, Camelia and her husband José lead El Xoxopastli, an artisanal workshop that\u003cbr\u003emakes textile canvas on pedal and backstrap looms to keep the traditional rebozo\u003cbr\u003etechniques alive.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e","brand":"Camelia Ramos","offers":[{"title":"Default Title","offer_id":47268020486196,"sku":"CAM-BLACK-SHAWL-SHA","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/6735\/4676\/files\/black-rebozo-shawlshawl-5701659.jpg?v=1773967221"}],"url":"https:\/\/www.cadenacollective.com\/collections\/camelia-ramos.oembed?page=2","provider":"Cadena Collective","version":"1.0","type":"link"}